The concept of this hotel is inspired on the “classical revisited”. The style is classical but also has a contemporary and attractive feel, fitting in well with current tastes.
With regard to the interiors, the Graça Viterbo Studios has used wide windows to create a direct link to the surroundings (sea and gardens). Outside public spaces also flow directly from inner areas.
Comfort is obvious throughout and the base materials are also classical, such as local marble and Venetian mosaic for paving and toilets, which are luxurious with an Italian finish.
Ceilings are ornate and decorations blend perfectly. The same materials are used throughout the hotel. Traditional and modern Portuguese tiling can also be seen in different forms.
By car:
From the airport:
- Continue along Praça do Aeroporto / Rotunda do Relógio.
- At the roundabout, Praça do Aeroporto, take the 1st exit to Segunda Circular and Sintra.
- Continue along Segunda Circular towards the IC19, Sintra, Segunda Circular, Campo Grande and Eixo Norte-Sul.
- Exit towards Sintra, Amadora, IC17, Cril, Algés, A5 and Cascais.
- Join the IC19
- Exit at number 16 towards Campismo, Cril, Algés, A5, Cascais, A2 and Sul.
- Continue along the IC17
- Take exit 3 towards Cascais.
- Continue along the A5 in the direction of Cascais.
- Pass Oeiras and Carcavelos.
- Go through the toll at Carcavelo.
- Pass Alcabideche in the direction of Cascais.
- Pass Estoril.
- Take exit 12 towards Cascais and Birre.
- Continue along the N9-1/Estrada da Malveira da Serra.
- Take the N9-1/Avenida Engenheiro Adelino Amaro da Costa.
- At the roundabout, Av. Engenheiro Adelino Amaro da Costa, take the 1st exit.
- Continue along Rua Engenheiro Dom António Castelo Branco.
- At the roundabout, take the 2nd exit.
- Continue along Rua Jaime Thompson.
- Continue along Avenida 25 De Abril.
- At the roundabout, take the 2nd exit.
- Continue along Avenida da Vigia do Facho.
- Continue along Avenida Rei Humberto II De Itália.
- Turn left into Rua Frei Nicolau De Oliveira, where you will find the hotel.
